Update: 2017-07-26 03:38 PM -0400

TIL

A Practical Sanskrit Dictionary

p090-2.htm

by A. A. Macdonell, 1893,
http://www.sanskrit-lexicon.uni-koeln.de/scans/MDScan/index.php?sfx=jpg 1929.
Nataraj ed., 1st in 2006, 2012

Edited, with additions from Pali sources, by U Kyaw Tun (UKT) (M.S., I.P.S.T., USA) and staff of Tun Institute of Learning (TIL) . Not for sale. No copyright. Free for everyone. Prepared for students and staff of TIL Research Station, Yangon, MYANMAR :  http://www.tuninst.net , www.romabama.blogspot.com

MC-indx.htm | Top
MCc2pp-indx.htm

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Row-2 consonants: Palatals

UKT 170708: Both IAST & IPA transliterations are confusing, only Romabama (transcription for Bur-Myan of Tib-Bur language group) is used. I will use my sound symbol such as <))kya./sa. , meaning Skt-Dev pronunciation as affricate /kya./, and Bur-Myan pronunciation as plosive-stop /sa./ .

{sa.} / {c} - Palatal plosive-stop in Pal-Myan, but Palatal affricate in Skt-Dev
  p090-2c1
{sa.ka.}
{sa.ki.}
{sa.kau:}

UKT 170717: In the following, be careful of pronunciation of rhotic sounds. Though in Bur-Myan, in ra'ric {ra.ric}-form is monosyllabic, for Pal-Myan & Skt-Myan, it must be pronounced disyllabic as {sa.k~a.}. Be sure to follow the length of the hood in pronouncing the different degrees of rhoticity. {kri.} (short hood) is slightly rhotic, whereas {kRi.} (long hood) is highly rhotic: it is derived from Skt-Dev highly Rhotic vowel {iRi.} ऋ and its vow-sign ृ .

/ {sa.kra.} : rhotic disyllable
  p090-2c2
/ {sa.kri.}
/ {sa.kru.}
{sa.kr} / {sa.kr} : misleading in Mon-Myan
{sa.kSa.} : Pseudo-Kha 
  p090-2c3
{sa.nga.} / {sn} presented as Kinsi {sn~}
{sa.a.} / {si} . Both {sn} and {si} end with nasal sound: different ending from {s}
{sa.Ta.} / {sT}
{sa.Na.} / {sN}

Note: क ् र --> क्र   derived from र
------- क र ् --> कर् derived from र
------  क ृ --> कृ --- derived from ऋ / ृ
Use only Romabama transliteration. IAST and IPA transliterations are misleading. Romabama is a compromise for BEPS which has to make allowances for Mon-Myan. Remember I am dealing with 3 entirely different language groups: Austro-Asiatic (Aus-Asi), Indo-European (IE), and Tibeto-Burman (Tib-Bur).

 

UKT notes :
Bhairava - the dva-god of destruction, counterpart of Kali Maa.
Partridge
Silent <k> and <g> letters in English
What is Romabama {ro:ma.ba.ma}

 

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{sa.} / {c} : Palatal plosive-stop in Pal-Myan, but Palatal affricate in Skt-Dev

UKT 141017, 141111, 160304, 170726: The second row of the Akshara-matrix is controversial because the aksharas have hissing sounds to some extent, resulting in a mix up with Fricatives , Affricates and Plosive-stops. I feel like walking a tight-rope with Phonemics of IE (Skt-Dev) , Tib-Bur (Bur-Myan, Pali-Myan & Old Magadhi), and Aus-Asi (Mon-Myan) languages. My comments on this row may change as my study progresses.

 

p090-2c1

p090-2c1-b00

च [ ka ]
- encl. cj. (te, que) and; also; even, just; but, yet; if (= ked): ka--ka, both--and, as well--as, scarcely--when; although--yet: with negative, neither--nor; ka--na ka or tu, although--yet not; na ka--ka, although not--yet; with v, either, or; ka‿eva ka‿api, and also; anyak ka, api ka, kim ka, tath ka, moreover, likewise (adding a similar saying); ka gives interrogatives (q. v.) an indefinite sense.

 

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{sa.ka.}

p090-2c1-b01

चक् [ kak ] : be careful where you put the viram च्क = च ् क
- tremble, only pp. kakita , trembling; frightened, startled; intimidated; -m , ad. with alarm. ud , pp. ukkakita , looking up startled. pra , pp. trembling ; frightened, startled.

 

p090-2c1-b02

चकार [ ka-kra ]
- m. the conjunction and.

 

p090-2c1-b03

[ ka-ks ]
- ii. p. kaks-ti , shine; cs. cause to shine

 

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{sa.ki.}

p090-2c1-b04

चकित [ kak-ita ]
--> {sa.ki.ta.}
- pp.; n. trepdation, fright.

 

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{sa.kau:}

p090-2c1-b05

चकोर [ kakora ]
- m. kind of partridge, Perdix rufa, supposed to feed on moon-beams: hence an eye that gazes on a face of moonlike beauty is so called; its eye is supposed to turn red at the sight of poisoned food; -vrata, n. manner of the kakora, entranced gaze (drinking the beauty of a moonlike face); -dris, f. fair-eyed maiden; -‿aksh, f. id.

See my note on partridge

 

p090-2c1-b06

चकोराय [ kakor-ya ]
- den. behave like the kakora.

 

p090-2c1-b07

चक्कलक [ kakkala-ka ]
- n. four slokas connected in sense.

 

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{sa.kra.} / {sa.k~ra.}

UKT 160225, 170710: - The second syllable is disyllabic, and so the word should be written as {sa.k~ra.}. However, hanging-{ra.} would be confusing in Mon-Myan, and so I have to write it in Ra'ric {ra.ric}-form.

p090-2c1-b08

चक्र [ ka-kr-a ]
= च क ् र
Skt: चक्र [ ka-kr-a ] - n.; V. sts. m. [runner: intv. √kar] wheel; potter's wheel; discus (esp. of Vishnu); oil-press; circle; circling in the air (of birds); mystical circular diagram; multitude, host, flock; troop; sphere (fig.); (wheel of) dominion; m. ruddy goose; N. of several men; N. of a mountain; &isharp;, f. wheel. - Mac090c1
Pal: {sak~ka.} -- UHS-PMD0378
  UKT from UHS: n. wheel, carriage wheel, chariot wheel, wind-mill, circle, sphere of influence, armed-force.
Bur: {sa.kra} - MLC-MED2006-102
  -- n. . circle. . chariot of Universal monarch. . powerful weapon. 4. auspicious sole marks of Gautama Buddha's feet. 5. Wheel of Law (teachings) of the Gautama Buddha [popularly known as the "Four Noble Truths" which are natural (non-Axiomatic) laws discovered by the Buddha. 6. toy windmill, pin wheel. 7. Swastika.

 

p090-2c1-b09

[kakra-goptri],
- m. du. wheel guard (man running beside a chariot); -dhara, m. wheel-bearer; ruler; discus-wielder, ep, of Vishnu; serpent; N. of a locality; -nbhi, f. nave of a wheel; -nman, m. ruddy goose; -nyaka, an. leader of a troop; -pura, n. N. of town; -bhanga, m. breaking of a wheel; -bhnu, m. N. of a Brhman; -bhrit, m. discus-wielder, ep. of Vishnu; -bhrama, m. revolution of the potter's wheel; a turning like a wheel; -matha, m. N. of a monastic college; -mardik, f. N. of a princess; -melaka, N. of a locality; -rakuha, m. du. = kakra-gophtri ; -vat, a. having wheels; m. oil-presser; -vad-gati, a turning like a wheel; -varti-t, f. sovereign, dominion; -vartin, a. moving on wheels; m. who turns the wheel of dominion, sovereign of the world; ruler of (-); chief of (g., -); -varman, m. N. of a king; -vka, m., , f. ruddy goose; the male and female, regarded as a pattern of conjugal love, are supposed to pass the night apart, during which their plaintive cries are heard; poets frequently refer to the pangs suffered by them in separation; -vka-maya, a. conisting of kakravkas; -vkin, a. filled with karravkas; -vta, m. whirlwind; -vla, n. ring, circle; m. n. group, multitude; m. fabulous mountain-range encircling the earth fabulous mountain-range encircling the earth (which is regarded as a disc); -vriddhi, f. compound interest; -vyha, m. circular battle-array; -sen, f. N. of a princess.

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p090-2c2

p090-2c2-b01

चक्राङ्किता [ kakra‿aṅkit ]
- f. N. of a plant; -‿aṅga, m. goose; ruddy goose; -‿aṅgan, f. female of the kakravka.

 

p090-2c2-b02

चक्राण [ ka-kr-n ]
- pf. pt. . of √kri.

 

p090-2c2-b03

  चक्रायुध [ kakra‿yudha ]
- m. ep. of Vishnu or Krishna; -‿hva, m. ruddy goose; -‿hvaya, m. id.

 

p090-2c2-b04

चाक्रि [ k-kr-i ]
- a. making, producing (ac.).

 

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/ {sa.k~ri.}

p090-2c2-b05

चक्रिका [ kakr-ik ]
- f. troop; intrigue; artifice; -in, a. having wheels; driving; m. discus-bearer, ep. of Krishna; oil-presser; serpent; -ya, a. driving; travelling.

 

p090-2c2-b06

[ kakr-kri ]
-- make circular; stretch to the full (bow); -bh , be draw to the full (bow)

 

p090-2c2-b07

चक्रीवत् [ kakr-vat ]
- a. having wheels; m. driver; wagon; ass.

 

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/ {sa.k~ru.} / {sa.kru.}

p090-2c2-b08

चक्रुस्् ka-kr-us, -˚क्रे [ -kr-e ]
- etc. pf. of √kri, do.

 

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 / {sa.kr} / {sa.k~r}

The form of {sa.kr} with a hanging {ra.} is misleading in Mon-Myan

p090-2c2-b09

चक्रेश [ kakra‿sa ]
- m. sovereign ruler: -t, f. sovereign dominion; -‿svara, m. ep. of Vishnu and of Bhairava; sovereign ruler: -tva, n. abst. ɴ.

See my note on Bhairava - the dva-god of destruction

 

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{sa.kSa.}

UKT 160225: Pali equiv. should be {sa.hka.}, however there are no such entries in UHS PMD.
Look for {sak~ka.} - UHS-PMD0378 'wheel, circle, sphere of influence' and
{sak~hku.} - UHS-PMD0379 'eye' .

p090-2c2-b10

चक्ष् [KA-KSH]
- ksh-te, (E. also P.) appear; see, look at; announce, tell, say, abhi, look at, behold; inspect; regard favourably. ava, look down upon (ac.); behold. , look upon; declare, propound; tell; call, say about (ac.); address; state; designate, mean; name, call. prati‿, decline; repulse; refute; answer (ac.); vi‿, recite; explain, elucidate, sam-, report; declare, pari, overlook, disregard; reject; prohibit; name. pra, tell; declare; regard as; name, call; cs. illumine. prati, see, perceive; expect, vi, appear, shine; perceive, behold, regard; announce. sam, behold; consider; report fully.

 

p090-2c2-b11

चक्षण [ kksh-ana ]
- n. appearance, sight.

 

p090-2c2-b12

चक्षणि [ kaksh-ni ]
- m. illuminator.

 

p090-2c2-b13

चक्षन् [ kksh-an ]
- n. eye; -as, n. brightness, brilliance; seeing, being seen (d. = inf.); eye, sight, glance; -u, m. eye.

 

p090-2c2-b14

चक्षुर्विषय [ kakshur-vishaya ]
- m. range of the eye, sight.

 

p090-2c2-b15

चक्षुःश्रवस्् kakshuh-sravas, -˚श्रुति [ -sruti ]
- m. serpent (using the eyes as ears).

 

p090-2c2-b16

चक्षुष्पति [ kakshush-pati ]
- m. lord of all eyes; -patha, m. eye-shot, sight; -prti, f. delight of the eye; -mat, a. possessing eyes or vision, seeing; representing the eye: -t, f., -tva, n. vision.

 

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p090-2c3

p090-2c3-b01

चक्षुष्य [ kakshush-ya ]
- a. fit for or pleasing to the eye; lovely; being before the eyes of (in.); dear to (in.).

 

p090-2c3-b02

चक्षुस् [ kaksh-us ]
- a. seeing; n. eye; sight; vision; glance.

 

p090-2c3-b03

चक्षूराग [ kaksh-rga ]
- m. feast to the eyes.

 

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{sa.nga.}
--> Kinsi {sn~}

p090-2c3-b04

- m. N. of a man

 

p090-2c3-b05

चङ्क्रम [ kaṅ-kram-a ]
-->  / {sn-k~ra.ma.}
- m., , f. walk; -ana, a. walking about; n. id.

चङ्क्रम [ kaṅ-kram-a ]
Skt: - m., , f. walk - Mac090c3
Pal: {sn~ka.ma.} - UHS-PMD0380
  UKT from UHS: m. stroll about to relax

 

p090-2c3-b06

चङ्ग [ kaṅga ]
- a. thoroughly acquainted with, very fastidious about (--), (-t, f. abst. ɴ.); m. N.

 

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{sa.a.} / {si}

UKT 160226: {sa.a.} > {si} . Both {sn} and {si} end with nasal sound: different ending from {s}

p090-2c3-b07

[ kak ]
- i. p. kaka hop, leap, dance; tremble, flicker

 

p090-2c3-b08

चञ्चरिन् [ ka-kar-in ]
- m. bee; -ka, m. id.

 

p090-2c3-b09

चञ्चल [ ka-kal-a ]
- a. moving to and fro, unsteady, fickle: -tva, n. instability, fickleness.

 

p090-2c3-b10

चञ्चला [ ka-kal- ]
- f. lightning; -ita, pp. caused to tremble.

 

p090-2c3-b11

चञ्चा [ kak ]
- f. basket-work: -purusha, m. man of straw, scarecrow.

 

p090-2c3-b12

चञ्चु [ kak-u ]
- a. known or celebrated for, versed in (--), (-t, f., -tva, n. cleverness); m. N.; f. (also ) beak, bill: (brev;)-puta, n., (u)-putaka, -put, f. hollow of the beak.

 

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{sa.Ta.} / {sT}

p090-2c3-b13

चट् [ kat ]
- i. p. kata , take place, occur : get into, betake oneself to (lc.): be attached to (lc.): katita , attached to (-), ud , depart; cs. ktaya , drive out; dispel

 

p090-2c3-b14

चटक [ kat-aka ]
- m. sparrow; N. of a poet; , f. female sparrow.

 

p090-2c3-b15

[kata-kat ]
-- p. crackle: -ya , . id. 

 

p090-2c3-b16

चटत्कृति [ katat-kriti ]
- f. crackling.

 

p090-2c3-b17

[kat-u]
-- m. (?) blandishment

 

p090-2c3-b18

चटुल [ katu-la ]
- a. trembling, quivering; unsteady; inconstant; amiable, courteous; n. pl. attentions.

 

p090-2c3-b19

चटुलाय [ katul-ya ]
- den. . walk delicately.

 

p090-2c3-b20

चटूपमा [ katu‿upam ]
- f. complimentary simile.

 

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{sa.Na.} / {sN}

p090-2c3-b21

चण [ kana ]
- a. --, known or celebrated for (-tva, n. abst. ɴ.); m. chick-pea: -ka, m. chick-pea.

 

p090-2c3-b22

चण्ड [ knda ]
--> {sN~a.}
Skt: चण्ड [ knda ] - a. (, ) burning; violent; impetuous; passionate, enraged, wrathful; fierce, cruel: -m, ad. passionately, in a rage; , , f. the grim goddess, ep. of Durg. - Mac090c3
Nep: चण्ड caṇḍa - s. Hot-tempered, fierce. [lw. Sk. id.] -- Turn-Nep164
Pal: {sN~a.} -- UHS-PMD0380
   UKT from UHS: mfn. extreme coarseness & cruelty. m. person of extreme anger [likened to an ogre]

 

p090-2c3-b23

चण्डकर [ kanda-kara ]
- m. (hot-rayed), sun.

 

p090-2c3-b24

चण्डकराय [ kanda-kar-ya ]
- den. . appear like the sun
(p090-2end)

 

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UKT notes

Bhairava - the dva-god of destruction

-- UKT 140831, 170716

Whenever I come across the English words such as <god> & <Lord>, I have to find what it means in the story associated with it. First lets look into what the English word means to human individuals in everyday situation from the present times back into historical times.

Google defines:

Lord
noun: . someone or something having power, authority, or influence; a master or ruler as in "lord of the sea".
   synomyms: master, ruler, leader, chief, superior, monarch, sovereign, king, emperor,
   prince, governor, commander, suzerain, liege, liege lord, etc.
exclamation: Lord  . used in exclamations expressing surprise or worry, or for emphasis as in "Lordf, I'm cold!"
verb: lord  3rd person present; lords  past tense: lorded  gerund or present participle:
------ lording  . archaic confer the title of Lord upon.
----------------- . act in a superior and domineering manner toward (someone)
 ----------------- - synonyms: order about/around, dictate to, domineer, ride roughshod over, pull rank on,
-------------------- tyrannize, have under one's thumb, etc.

I usually define Lord or god as: someone (he, she, or it - real or imaginary) who you respect or fear.

From the story I can say that, Bhairava, भैरव {B:ra.wa.} "Terrible" or "Frightful", is an imaginary entity who is feared - just a bogeyman in modern times. He is a Shaivite-Hindu dva {d-wa.} which is not exactly the same as Theravada-dva, and has nothing to do with the Bur-Myan {nt}. However, as a surface meaning I can translate it as {nt-hso:} because of his epithets 'terrible' and 'frightful'. He should not be described as {Bu.ra:}.

From Wikipedia: http://en.wikipedia.org/wiki/Bhairava 120212

Bhairava, भैरव {B:ra.wa.} "Terrible" or "Frightful", [1]), sometimes known as Bhairo or Bhairon or Bhairadya or Bheruji (In Rajasthan), Kaala Bhairavar (கால பைரவர்) or Vairavar (In Tamil), is the fierce manifestation of Lord Shiva Dva associated with annihilation. [2] He is one of the most important deities of Rajasthan, Tamil Nadu and Nepal who originated in Hindu mythology and is sacred to Hindus, Buddhists (Tibetan) and Jains alike.

See Indian esoteric Buddhism: a social history of the Tantric movement by Ronald M. Davidson , from Columbia Univ. Press, 2002, 497 pdf pages and it is in the TIL HD-PDF and SD-PDF libraries
- RMDavidson-IndianEsotericBuddhism<> / Bkp<> (link chk 170716)

We find on pdf 196/497:
" The terrifying Bhairavacarya, with the assistance of Harsas legendary ancestor Puspabhuti, seeks to obtain success in the magical powers of the sorcerers/vidyadharas...."

Davidson mentions Heruka in his book in many places. Read also Wikipedia: 
- https://en.wikipedia.org/wiki/Heruka 170717
"Heruka (Sanskrit; Wylie: khrag 'thung), is the name of a category of wrathful deities, enlightened beings in Vajrayana Buddhism that adopt a fierce countenance to benefit sentient beings."

UKT 141013, 170716: Shiva Dva & Kali Dvi forms a pair of husband & wife supposed to represent male and female aspects of Energy which can be both creative and destructive. The Theravada Buddhists cannot comprehend such pairing involving sexual union. To the Theravada Buddhists, Brahma are asexual (no differentiation into male and female), however to the Hindu Maha-Brahma (or just Brahma) is a male-dva. He is supposed to be married to Maa Saraswati who in Burmese-Theravada tradition is Thurathati Mdaw {u-ra.a.ti m-tau} is a pure virgin and looked upon as the embodiment of Knowledge and treated as a mother-goddess {m-tau} 'Mother'.

Bhairava is depicted ornamented with a range of twisted serpents, which serve as earrings, bracelets, anklets, and sacred thread ( yajnopavita). He wears a tiger skin and a ritual apron composed of human bones. [3] Bhairava has a dog (Shvan) as his divine vahana (vehicle). Bhairavi, a fierce and terrifying aspect of the Devi who is virtually indistinguishable from Kali, with the exception of her particular identification as the consort of the Bhairava.

Bhairava himself has eight manifestations:
1. Kala Bhairava, 2. Asitanga Bhairava, 3. Samhara Bhairava, 4. Ruru Bhairava,
5. Krodha Bhairava, 6. Kapala Bhairava, 7. Rudra Bhirava and 8. Unmatta Bhairava. [UKT ]

Kala Bhairava is conceptualized as the Guru of the planetary deity Saturn. Bhairava is known as Vairavar in Tamil where he is often presented as a Grama Devata or folk deity who safeguards the devotee on all eight directions (ettu tikku). Known in Sinhalese as Bahirawa, he protects treasures. Lord Bhairava is the main deity worshipped by the Aghora sect.

Legends

The origin of Bhairava can be traced to the conversation between Lord Brahma Dva and Lord Vishnu recounted in "Shiv Maha-Puran" where Lord Vishnu Dva asks Lord Brahma Dva who is the supreme creator of the Universe. Arrogantly, Brahma Dva tells Vishnu Dva to worship him because he (Brahma) is the supreme creator. [UKT ]

This angered Shiva who in reality is the creator of all. [UKT ]

UKT 141013, 170516, 170716: To wade through the confusion of Hinduism, you must realized that there are three separate 'religions'.

1. Vaishnavism - worship of the Vishnu - the religion of the intruders IE (Indo-European) speakers from the north-west.

2. Shaivism - worship of Shiva-dva brought in by the dark-skinned intruders Aus-Asi (Austro-Asiatic speakers) from the south. Shaivism spreads throughout India principally by Adi Shankara who was responsible for destruction of Buddhism in 8th century AD in Nepal - the birthplace of Gautama Buddha.
See: http://krishna.org/lord-chaitanya-defeats-the-buddhists/ - 140216, 140831
Search the Net for Adi Shankara, the Shaivite Brahmana-Poanna.

3. Shaktism - worship of Shakti {shak-ti.} शक्ति = श क ् त ि. I take it to be derived from the worship of various mother-goddesses {m-tau} of the original inhabitants of the land. However, with the rise of Shaivism, these mother-goddesses are supposed to be the wives of Shiva-dva making him to be the most promiscuous dva of the land. 
See Wikipedia: https://en.wikipedia.org/wiki/Shakti 170710

UKT 170716: There were attempts to sort out who among the dvas was the supreme one in looking after the affairs of the human world. The sorting out was done by a human rhisi named Bhagu {Ba.gu. ra..}, who was one of the Vdic rishi revered by Gautama Buddha mentioned in Viniya Pitika of the Mahavagga (I.245). The rishi found Vishnu-dva sleeping with his wife, and the rishi kicked him on his chest. Next, he found Shiva-dva having sex with his wife. The rishi cursed him to be worshipped by his followers with an image of lingam (penis) stuck in the yoni (vagina) of his wife.

Wikipedia continue: Shiva then incarnated in the form of Bhairava to punish Brahma. Bhairava beheaded one of Brahma's five heads and since then Brahma has only four heads. When depicted as Kala Bhairava, Bhairava is shown carrying the decapitated head of Brahma. Cutting off Brahma's fifth head made him guilty of the crime of killing a Brahmin, and as a result, he was forced to carry around the head for years and roam as Bhikshatana, a mendicant, until he had been absolved of the sin.

In another version, when Brahma sees the cosmic confusion while creation of universe and ponders how to settle it. He created Saraswati from his imagination ('Manasaputri'). She issued as Shatarupa. She presented him with the wealth of knowledge and wisdom. But Brahma was infatuated with her beauty and pursued her. He sprouted a fifth head to gaze at her continuously. [UKT ]

The horrified goddess took multiple forms to escape his eye, but Brahma continued to take a complementary form and chase her. This unlawful lust caused an imbalance in the universe and Lord Shiva took the form of Bhairava to put an end to such incest. He confronted Brahma and cut off his fifth head which brought him to his senses. He then performed a yagna to purify himself, reciting mantras with his four heads for salvation.

In the form of the frightful Bhairava, Shiva is said to be guarding each of these Shaktipeeths. Each Shaktipeeth temple is accompanied by a temple dedicated to Bhairava.

UKT: More in the Wikipedia article.

Go back Bhairava-note-b

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partridge

-- UKT 141013: Bur-Myan for <pheasant> is {ric}. See MLC MED2006-407. I still have to get the name for <partridge>.

partridge n. pl. partridge or partridges . Any of several plump-bodied Old World game birds, especially of the genera Perdix and Alectoris, related to the pheasants and grouse. . Any of several birds, such as the ruffed grouse or the bobwhite, similar or related to the partridge. -- AHTD

From Wikipedia: http://en.wikipedia.org/wiki/Partridge 120211

Partridges are birds in the pheasant family, Phasianidae. They are a non-migratory Old World group.

These are medium-sized birds, intermediate between the larger pheasants and the smaller quails. Partridges are native to Europe, Asia, Africa, and the Middle East. Partridges are ground-nesting seed-eaters.

According to Greek legend, the first partridge appeared when Daedalus threw his nephew, Perdix, off a roof in a fit of jealous rage. See Wikipedia:
- https://en.wikipedia.org/wiki/Daedalus 170710
- https://en.wikipedia.org/wiki/Perdix_(mythology) 170710
  "Daedalus [the inventor who built a pair of wings for his son ] was so envious of his nephew's accomplishments that he took an opportunity, when they were together one day on the top of a high tower, to push him off. But Athena [Goddess of Learning similar to Saraswati Maa], who favors ingenuity, saw him falling and arrested his fate by changing him into a bird called after his name, the Perdix (partridge). This bird does not build its nest in the trees, nor take lofty flights, but nestles in the hedges, and mindful of his fall, avoids high places. For this crime, Daedalus was tried and banished."
- https://en.wikipedia.org/wiki/Icarus 170710
   "Often depicted in art, Icarus and his father attempt to escape from Crete by means of wings that his father constructed from feathers and wax. Icarus' father warns him first of complacency and then of hubris ['pride'], asking that he fly neither too low nor too high, ..."

Partridges famously appear as part of the first gift listed in the Christmas carol, "The 12 Days of Christmas". As such, "A partridge in a pear tree" is sung as the last line of each chorus.

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Silent <k> and <g> in English

-- UKT 120218

Pronouncing the velar-plosive-stops /k/ and /g/ before the dental sounds in Modern English is a problem. I have found a similar situation in the pronunciations of Sanskrit [क ् ष = क्ष] and Pali [चक्-].

[The following presentation needs Myanmar graphemes, however, since they do not appear in emails, I have given their equivalents in Devanagari. Also note that Bur-Myan {sa.} stands for both palatal plosive-stop [च] /c/ and dental fricative-sibilant [ष] /s/. However, they are differentiated in Romabama as {sa.} for [च] and {Sa.} for [ष]. ]

In {sa.kSa.} [च-क ् ष], we have two syllables, {sa.} [च] and {kSa.} [क ् ष = क्ष] if you are using the Sanskrit pronunciation. The conjunct {kSa.}  [क ् ष = क्ष ] is not readily pronounceable, because {ka.} [क] /k/ the velar has to be pronounced immediately before the dental {Sa.} [ष] /s/. The pronunciation I can come up is /kə.sa/ with a schwa after /k/. Thus, {kSa.}   [क ् ष = क्ष ] cannot become a medial but remains a disyllabic conjunct.

This reminds me of cases of a velar-before-dental in English <know> and <gnome>. In modern English both <k> and <g> are made 'silent'. Such silent letters are not permissible in the akshara-system which is a very rigid phonetic system preceding the International Phonetic Association (IPA) by thousands of years.

Since क्ष ks is not readily pronounceable for Bur-Myan and presumably for Pal-Myan, it is pronounced as {hka.} [ख] . Thus I have dubbed as pseudo-{hka.}.

An interesting point is what happens when the two syllables are pronounced very rapidly as in continuous speech. This amounts to the graphemes moving closer. {kSa.} conjunct in {sa~kSa.} is broken apart, and the pronunciation becomes: {sak~Sa.} [चक्-ष] . Since dental fricative-sibilant {Sa.} [ष] is absent in Bur-Myan, it is changed into {hka.}  [ख] : resulting {sak~hka.} [चक्-]. I am waiting for input from my peers.

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What is Romabama {ro:ma.ba.ma}

UKT 141013:

This file, p090-2.htm,  is important for transcription of English (written in Latin script) into English (written in Myanmar akshara). MLC gives only transliteration which gives the wrong pronunciation. Romabama (Eng-Myanmar) (pronounced as {ro:ma.ba.ma} 'backbone of Burmese speech') takes care of vowel sounds in phonologies of both Burmese and English, and is a transcription. Romabama is NOT Romanization of Burmese. It is subservient to my beloved circularly-rounded Myanmar Akshara - the unifying script of my mother land!

To come up with a usable ASCII transcription, my wife (Daw Than Than) and I had to study Phonetics online from Univ. of Lausanne (UNIL) - UNIL-indx.htm (link chk 141013). At that time we had already served our birth-country for over 33 years and retired with good service records, after which we migrated to Canada and have taken up Canadian citizenships.

I went further and studied LANGUAGE ACQUISITION AND TEACHING - LAT4M.htm (link chk 141013)  based on Principles of Language Learning and Teaching, 4th. ed., by H. Douglas Brown
- n-Brown4-indx.htm (link chk 141013).

Realizing that Phonetics is too narrow, I studied Human voice, Phonetics and Phonology
- indx-HV.htm (link chk 141013)

I concentrated on The Phonetic Description of Voice quality, John Laver, Univ. of Edinburgh. Cambridge Univ. Press, First published 1980. ISBN 0 521 231 760. Realizing that unless I can pin down the vowels by instrumental analysis, I studied the nature of sound waves which I had studied in Physics in my undergraduate days. From the sound waves produced by a speaker we can come up with Formants . Whenever possible I looked into Formants F1 & F2 . My sincere thanks to Professor Russell of University of Manitoba,  http://www.umanitoba.ca/faculties/arts/linguistics/russell/138/sec4/formants.htm 080103

What the human phoneticians can do is always tainted by their L1, and my underlying philosophy is what a Chemical Engineer turned Linguist, Benjamin Whorf had come up with, which simply put is "We are the prisoners of our own cultures". See Sapir-Whorf Hypothesis .

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End of TIL file